The Healing Power of Music

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Music & Meditation tools: Martial Arts Meditation; Solfeggio Scale Healing; Transcendental Meditation; Yoga Meditation.

Location: http://tinyurl.com/HealingMindNMusic


The Power of Music

Music has the power to cause emotions to well up within us. These feelings are gripping - often irresistible - and seem to emerge from nowhere. These feelings colour our moods, affect our perceptions and generate a behavioural pattern. The indisputable fact about music is its power to evoke emotions. Is there anyone, for whom, music is completely emotional - neutral? Music has the ability to inevitably tap the still, mysterious deep well of our emotions.

The repetition of a line as in a lullaby, the regular beating of a drum - they produce a feeling of physical ease and lull the child to sleep. The rhythmic sound of the train, of waves breaking on the shore, the song of a cricket at night - why, even the electric fan is able to produce a soothing physical quiet. But good music does not stop there. It touches our emotions. True music really far deeper and touches our very soul and leaves its imprint on us. It may not be possible to explain or describe this reaction in ordinary language. It can only be felt. It is one of those mystic experiences, which baffle analytical explanation.

What Are The Ancient Solfeggio Frequencies? Source: The Light Within

These original sound frequencies were apparently used in Ancient Gregorian Chants, such as the great hymn to St. John the Baptist, along with others that church authorities say were lost centuries ago. The chants and their special tones were believed to impart tremendous spiritual blessings when sung in harmony during religious masses. My thanks to Dr. Joseph Puleo for rediscovering these frequencies and returning them to humanity.

The Six Solfeggio Frequencies include:

UT - 396 Hz - Liberating Guilt and Fear

RE - 417 Hz - Undoing Situations and Facilitating Change

MI - 528 Hz - Transformation and Miracles (DNA Repair)

FA - 639 Hz - Connecting/Relationships

SOL - 741 Hz - Awakening Intuition

LA - 852 Hz - Returning to Spiritual Order

For example, the third note, frequency 528, relates to the note MI on the scale and derives from the phrase "MI-ra gestorum" in Latin meaning "miracle." Stunningly, this is the exact frequency used by genetic biochemists to repair broken DNA - the genetic blueprint upon which life is based!

Little History

In the past few years, the awareness of DNA has entered the collective consciousness of the world. We have incarnated into this human experience as divine beings with a blueprint, a set of instructions. We know that a very small percentage (3%) of those instructions make up our physiology.

Carl Sagan writes that most of our genetic information (about 97%) is unused DNA. He refers to this as "genetic gibberish." Is it possible that most of who we are still lies dormant as our human potential?

In the old paradigm of religion, "potential" remained a mystery to the human mind, therefore we coined a mystical term called "SPIRIT." "Spirit" was something that was detached from who we were, something we didn�t have and could only be gained through the systems of most religions.

The old paradigm and its premise stated that we began as biology in the womb of our mothers. Telliard deChardin tells us that we are not a human being trying to attain a spiritual experience, but, rather, we are spiritual beings having a human experience. This shift in perception causes a tremendous difference in the way we perceive ourselves in this third/fourth time-space continuum.


Being a student of "A Course In Miracles" in the late 80�s, I was faced with a dichotomy in the idea that we are not a body. I never understood this statement fully until I read a quotation by Albert Einstein which stated: "Concerning matter, we have been all wrong. What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter." I believe what is being stated is that at the deepest level we are not separate, as a body, as a spirit, as a soul - we are just energy-beings. This is the level of consciousness being opened to us from which a new paradigm is emerging for the purpose of healing all separation. The popular term, "The Divine, is in me"- makes "me" separate from the Divine. May I suggest a shift in the saying to: "The Divine, AS me" to remove the separation.

As we move from genetics and concepts like Soul, "Soul Mates" and "Soul work," we move beyond physical diagnosis, into a new field of quantum physics. In this new field, where consciousness is seen as a unified field where everything is everything else, (T.O.E. Theory - The Theory of Everything) -there are no boundaries. There is no "this" or "that;" no you or me. It is a pure field of awareness - consciousness. I solved the dichotomy about "we are not our body" by changing my perception of genetics to energetics - realizing that we are not meant to ignore our physiology, but recognize the body as energy, vibrating at a very dense frequency.


Repairing DNA

I was first introduced to DNA in 1988 when I was going through a transitional period, during which I felt that I had come to the end of everything that I believed. A tape was given to me of a gentleman speaking in an accent, (which I thought at the time, was rather boring), and I didn�t understand what he was talking about. Then all of a sudden, as I was ready to turn it off, he said: "Quantum physics has found that there is no empty space in the human cell, but it is a teeming, electric-magnetic field of possibility or potential." That�s all he said! But whatever frequency was contained in those words, RESONATED something inside the CORE of my BEING - and I had a KNOWING in me that the NOTHING I thought I was looking at was the EVERYTHING. Much like in Zen, and the idea of becoming "as an empty bowl." Eastern Religions (including the Bible) refer to it as the VOID - The Nothing that is EVERYTHING - The Womb of Creation. I knew that I was experiencing a re-birth! The person on that tape was Dr. Deepak Chopra.

I had never heard of Deepak Chopra until 1988, as he was just coming on the scene about that time. I credit him for a very important transition in my life, just from the statement he made on that tape. Today, in retrospect, I would call my response to that statement a "cellular memory experience." We know that intelligence is stored within the cells of the body, and when the right resonance comes and releases that information to become inherent information or inherent KNOWLEDGE - that comes from the true Self. That is why so many of us seem to jump form one stimuli to another looking for what will resonate in us.

The work being done today with energy at the cellular level really excites me, since I had been very interested in DNA before it became a household word. In fact, I think it took me two years just to learn how to pronounce it (deoxyribonucleic acid did not roll off my tongue quickly). But, I was determined to understand this tremendously powerful energetic blueprint for life, as we know it, at the cellular level on this planet. DNA became a part of the collective consciousness when CNN produced a special on the Genome Project in 2000.

As I pursued my passion for the study of DNA, I attended a workshop by Dr. Robert Girard from California on DNA Activation. His work focused on using certain sounds and frequencies to activate DNA and I started doing DNA Activation workshops. Through those workshops, an article was given to me that reported how biochemists are using the frequency 528Hz to repair human DNA. The article stated that it was a "C." When I read that I thought, "All I would need to do is go to a piano or other instrument and play a "C" and then, in the DNA workshops we would be able to repair DNA."

Well, it wasn�t that simple, because I discovered that the regular "C" that we all know of in this culture (which is from the diatonic scale of do, re, mi, fa, so, la, ti, do) was not the 528 Hz frequency "C", as described in the article. Instead, I discovered that a regular "C" vibrates to a frequency of only 512 Hz, and that the "C" of 528 Hz used in DNA repair had been a part of an ancient scale called the Solfeggio Scale. Moreover, the difference in the scales existed because of different tuning methods that were utilized in ancient times, vs. those in general use today. Later, we will explore that difference between how we create music today vs. how we used to create it, and how that simple change has made all of the difference in the world. (Specific frequencies have been shown to have certain physiological effects, such as stimulating the release of Serotonin or human growth hormone (HGH) among other biological responses to bioresonant energy. Examine Binaural Harmonics and Dr. Royal Rife's work in therapeutic electrokinetics for further details.)

How I found out about the Ancient Solfeggio Scale

I found this ancient scale to be part of a 6-tone scale sequence of electro-magnetic (errata: should be "acoustical") frequencies called the Original Solfeggio Scale through the book "The Healing Codes of Biological Apocalypse" by Dr. Leonard Horowitz. These particular frequencies were rediscovered by Dr. Joseph Puleo, who received them in a wonderful experience that some would suggest was mystical. These frequencies are not something new, but they are something very old.

I shared the information about these frequencies with a musician friend who had a studio in her home. After reviewing the information, she decided that she would like to experiment with these frequencies in the form of meditation music. She was also in touch with Jonathan Goldman (author of the book, "Healing Sounds") and he knew of these frequencies, and was using them in some of his music such as "The Lost Chord" CD. Aryiana requested that he have the tuning forks made for her to research the frequencies. I asked if she could also have a set made for me.

After I received the tuning forks and began talking about them around the country, I noticed that people were resonating with the information about these powerful frequencies. It felt as though something was going on in a much larger picture. We were connecting energetically to this information, and yet I didn�t know what I was going to do with the tuning forks. Then people began to ask if I could use the tuning forks on them. From those experiences, and with information I had gathered, a method and technique began to develop. I called the technique SomaEnergetics™, which is designed to utilize the optimum energy of the Solfeggio frequencies using tuning forks. Soma, meaning "body" in the Greek, combines the wholistic idea of the body as an energy field - SomaEnergetics™.

When starting these first tunings, the main frequency that I knew the most about was 528 Hz - that biochemists are using for DNA repair. I realized that the right side of the body is controlled by the left-brain, and the left side by the right brain and that these correspond with our inner male and female energies. As I took the fork down each side of the body, I could get in touch with the dominate ancestral DNA that comes thru the Mother�s side or Father�s side of the chromosomes. I would many times get a tremendous imbalance in the sound between the two sides. The purpose of energy work, as many of you know, is to attain balance. For example, if everything is in balance, such as the ph level, the physical body can heal more naturally. It�s the same way in our energy bodies. If we can find that energy balance, that equilibrium, where everything aligns or everything comes into synchronization into the rhythm of the dance of life - then healing becomes the natural state. It�s nothing supernatural, or miraculous. I think a lot of spiritual texts have referred to this idea when they describe, "going home to heaven." Heaven, to me, is the complete synchronization with higher frequencies and vibrations of creation being totally entrained. In other words, being in a state of "at-one-ment."

When I would continue to do the technique, the sound would begin to even out between the male and female sides of the body, and the client would indicate they were "feeling" a shift. As that would occur, I was totally amazed, and asked myself, "What is happening here?" Although I�ve been a speaker of spiritual things for over 40 years, I can�t tell you that I�ve been the most intuitive person in the world. All of a sudden I started having certain feelings about what to do with the forks. I found that at some point in working with the client, I stopped "doing" the tuning forks (being the initiator of the technique), and they started "doing me" - seeming to direct the movement of the Forks! After hundreds of tunings and positive testimonies, I have learned to trust the Ancient Solfeggio Scale frequencies in the form of Tuning Forks as a legitimate (healing) modality.


Energy and Relationship

Everything is relationship. I remember Dr. Fred Wolf, who is a physicist stating on a tape "Everything is consciousness." He further noted, "When you are observing an object, on some level the object is observing you." As I listened to that statement, I thought it was strange. I then realized that because something doesn�t have a human consciousness, as I do, that doesn�t mean it doesn�t have it�s own consciousness. Apparently, observing something changes it on some level - that the observer, and the observed are one.

I treat the Solfeggio tuning forks as a conscious "entity." They are energy, they�re vibration, they�re frequency - the client is vibration, frequency and energy - I am vibration, frequency and energy. All of that coming together begins to produce a synergetic experience that takes place on many levels. The energy bodies that we focus on using the Solfeggio Frequencies are the physical, the etheric, the mental/emotional, and the astral.


Sound, Vibration and Form

For more than 200 years, researchers have been validating the connections of Sound and Vibrations on physical form. The first to make that connection was German scientist Ernst Chladni, who, in 1787, detailed his research in his book "Discoveries Concerning the Theory of Music." In that pioneering work, he explained ways to make sound waves generate visible structures. He detailed how a violin bow, drawn at a right angle across a flat plate covered with sand, produces patterns and shapes (I still remember that experiment from my physics class; the acoustic patterns correlating with each note played by the bow could easily be classified as "crop circles"). Today, those patterns and shapes are called Chaldni figures. (Coincidentally, Chaldni died in 1829, the same year as Beethoven. Mozart, a Free Mason, heavily influenced Beethoven about the mathematics of music, and likely influenced Chaldni as well).1

In 1815, Mathematician Nathaniel Bowditch followed up on Chaldi�s discoveries. He concluded that the conditions for these designs to arise were because the frequencies, or oscillations per second, were in whole number ratios to each other-such as 1:1, 1:2, 1:3 and so on.2

The study of wave phenomena, the ability of sound to organize and repattern matter, is called Cymatics. According to John Beaulieu, in Music and Sound in the Healing Arts, "Form is the more elusive component of sound. Sound-forms can be seen by subjecting mediums such as sand, water, or clay to a continuous sound vibration." The following pictures taken by Dr. Hans Jenny are sound-forms. They were obtained by placing various mediums on a steel plate with a crystal sound oscillator attached to the bottom. The Oscillator creates a pulse, which vibrates the steel plate. The forms on the plate are examples of sound organizing matter." Jenny also "noticed that when the vowels of ancient languages like Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for those vowels. "Modern languages, including English, failed to generate those patterns."

"Space is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves. The universe is not separate from this cosmic sea of energy." David Bohm


Jenny concluded that were examples of cymatic elements everywhere-"vibrations, oscillations, pulses, wave motions, pendulum motions, rhythmic courses of events, serial sequences, and their effects and actions"-and they effected everything including biological evolution. The evidence convincingly demonstrated that all natural phenomena were ultimately dependent on, if not entirely determined by the frequencies of vibration. He argued that physical healing could be aided or hindered by tones. Different frequencies influenced genes, cells, and various structures in the body, he claimed.

Vibration of Music of the Spheres: "Every cell pulsates, reflects and interacts with acoustic oscillations of the medium. Even the earth and sun vibrate in unison based on a main rhythm of 160 minutes. Each musical note is therefore united to non-audible notes of higher octaves, and each symphony to other symphonies that we do not hear, and although they make our cells oscillate and possibly resonate. Even DNA has it�s own melody. The musical nature of nuclear matter from atoms to galaxies is now recognized by official science."3 In " Molecules of Emotion," by Candice Pert, Ph.D., she writes, "� basically, receptors function as scanners (sensing molecules, on a cellular level). They cluster in cellular membranes, waiting for the right ligand (much smaller molecules than receptors), to come dancing along (diffusing) through the fluid surrounding each cell, and mount them - binding with them and (tickling ) them to turn them on and get them motivated to vibrate a message into the cell. Binding of the ligand to the receptor is likened to two voices, striking the same note and producing a vibration that rings a doorbell to open the doorway to the cell."

Poet Cathie Guzetta summarized this science best when she wrote:

"The forms of snowflakes and faces of flowers may take on their shape because they are responding to some sound in nature. Likewise, it is possible that crystals, plants, and human beings may be, in some way, music that has taken on visible form."


How Did The Solfeggio Frequencies Get "Lost?"

I discovered that these powerful frequencies had been given to the church many years ago for a very spiritual purpose. This was back when the church was a wonderful place for the people in the villages to gather together. The church served as a social, political, and spiritual place. People came to Mass, which at that time, was done in Latin (until Vatican II came along). When people sing in Latin or musical tones, it is very powerful, because it gets through all of the limited thought forms, and into deeper levels of the subconscious - accessing insights beyond belief systems.

As described above by Dr. Candice Pert, PhD, energy and vibration go all the way to the molecular level. She states that we have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin to vibrate. Moreover, she observed, "as they begin to vibrate they sort of touch each other, and tickle each other, and they play and mount each other." It�s this whole energetic dance ritual, at the cellular level, that opens the chromosomes and exposes the DNA to the frequencies. When we do toning, drumming, chanting, or tuning forks - it can be a way to direct energy for transformational purposes.

Vibration and sound can be used, like most things, either with positive intention or negative intention. Used negatively, it�s nothing more than control and manipulation. Most of the world has been built upon control and manipulation by the way we communicate thru language. A lot of different texts, such as the Bible, talk about the importance of just making Sound-whether it�s chants, drumming, or speaking in tongues (such as the charismatic fundamentalists do), they are just different ways that people are accessing deeper levels of themselves. I suggest to you that the Solfeggio Tuning Forks are an even purer ways of doing that with positive intention.

When Dr. Joseph Puleo was researching the tones, he was directed to a Monsignor at a university in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation, the clergyman asked what he could assist Dr. Puleo with:

"Can you decipher Mediaeval Latin?�

�Absolutely!�

�And you know the musical scale and everything?�

�Absolutely!�

�Well then, could you tell me what �UT - queant laxis� means?�

After a brief pause, the Monsignor quipped, �It�s none of your business�

Then he hung up."1


Additionally, as Dr. Puleo researched the tones further, he came across a book on Gregorian chants by Professor Emeritus Willi Apel who "argued that the chants being used today were totally incorrect, and undermined the spirit of the Catholic faith."1 Moreover, Professor Apel reported that "one-hundred fifty-two chants were apparently missing. The Catholic Church presumably "lost" these original chants. The chants were based on the ancient original scale of six musical notes called the Solfeggio."1 Trust me, nothing is lost, it�s just neatly put away; however, they cannot hide from the masses what is energetically placed within the Soul.

According to Professor Willi Apel,1 "The orgin of what is now called Solfeggio...arose from a Mediaeval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiatly adapted for vocal use. Hence "Ut" was artificially replaced by "Do." Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added "Si" for the seventh note of the scale, in order to complete the series."

Further research states that, "Pope Johannes later became a saint - Saint Iohannes - and then the scale was changed. The seventh note "Si" was added from his name. "Si" later became "Ti." These changes significantly altered the frequencies sung by the masses. The alterations also weakened the spiritual impact of the Church�s hymns. Because the music held mathmatic resonance, frequencies capable of spiritually inspiring mankind to be more "Godlike," the changes affected alterations in conceptual thought as well, further distancing humanity from God." In other words, whenever you sing a Psalm, it is music to the ears. But it was originally intended to be music for the soul as well or the "secret ear." Thus by changing the notes, high matrices of thought and to a great extent well being, was squelched. Now it is time to recover these missing notes."1

I�d heard of do, re, me, fa, so, la, ti, do. I particularly responded to it whenever I hear that song by Julie Andrews from "The Sound of Music." I literally have a "brain cell firing" as it is engraved into my brain, and I see her coming over the mountain in the movie. I didn�t realize this was actually a second, modified scale. The original Solfeggio scale was actually: UT, RE, MI, FA, SO, LA.

Looking at the definitions of each of the original syllables, using hidden entries from Webster�s Dictionary and the Original Greek Apocrypha, I have determined that these original frequencies can be used for: Turning grief to joy, helping the person connect with their Source to bring forth miracles, DNA repair, connecting with spiritual family, solving situations & becoming more intuitive, and, finally, returning to spiritual order.2 Through music these tones can assist all the channels in staying open and keep the life force (the Chi) literally flowing thru the Chakra System quite freely. Is this is what the six electro-magnetic frequencies (super-harmonics of the acoustic patterns) were to accomplish that were put into "lost" hymns and Gregorian chants?

I think we are living in a tremendously wonderful time, and rather than seeing the glass as "half empty," I see it as "half full." Rather than accepting "CNN�s perspective" of the world view, it�s about finding perspective thru the vision of your own heart. It is about change and transformation of mankind to the next level of evolution. We, as Spiritual Light Workers, have made ourselves accessible at this time, by Divine Appointment, to be here to help those in humanity who choose (it�s all based upon irrevocable choice) to stay, or to go. Those who have chosen to stay will come into our lives, and we have already agreed to assist them.

It�s all about assisting other people. It�s not to be their "Healer," but to assist them in knowing who they are and connecting with their true Source. It is about providing an atmosphere of non-judgement, a Sacred Space, for the purpose of healing themselves. We should be continuously teaching while assisting people. The old paradigm teaches us to keep the information among the professionals. The new paradigm is to share the information, and empower the client. Everyone you work with-whether it�s Reiki, Massage, Tuning Forks or other modalities you are using, you should feel that you�ve empowered that person, so they can extend this information to someone else. Healing has become about our evolution by reconnecting our additional strands of DNA. Healing is also about assisting the person in restoring themselves to a state of "Spiritual Wholeness."

1 "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz, p. 345-6
2 Ibid.
3 From "Man�s Cosmic Game" by Guiliana Conforto

The 3, 6, and 9

As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, & 9. Nikola Tesla tells us, and I quote: "If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe."

John Keely, an expert in electromagnetic technologies, wrote that the vibrations of "thirds, sixths, and ninths, were extraordinarily powerful." In fact, he proved the "vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat." In his "Formula of Aqueous Disintegration" he wrote that, "molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects."

In the book of Genesis it states that there are six days of creation. Yet many talk about the creation week - or seven days, and the Christian Bible views the number seven as the number of completeness. Why Seven? It is due to the influence of the Near Eastern culture at the time in which Jesus lived, when it was believed that there were only seven planets.

When wrestling with adding a 7th number, I was mystically drawn to an article in Discover Magazine. In his newest book, Just Six Numbers, Rees argues that six numbers underlie the fundamental physical properties of the universe, and that each is the precise value needed to permit life to flourish. In laying out this premise, he joins a long, intellectually daring line of cosmologists and astrophysicists (not to mention philosophers, theologians, and logicians) stretching all the way back to Galileo, who presume to ask: Why are we here? As Rees puts it, "These six numbers constitute a recipe for the universe." He adds that if any one of the numbers were different "even to the tiniest degree, there would be no stars, no complex elements, no life." (From Discovery Magazine). As some authors have speculated, could these tones have played a role in the miraculous shattering of Jericho�s great wall in six days before falling on the seventh day? Some scientists are now stating that if we have been created, we most likely would have been sung into existence. Is it possible that the six days of creation mentioned in Genesis represent six fundamental frequencies that underlie the universe? Religious scholars believe both events occurred as a result of sounds being spoken or played.

Other scientists, including the geniuses Nikola Tesla, Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have known about, and used the concept of, the inherent power of threes, sixes, and nines. So we are dealing with three powerful numbers: 3-6-9. Everyone of the six Solfeggio Tuning Forks all add up, individually to the Pythagorean scheme of 3-6-9. In fact, because there are two sets of 3-6-9 (anagrams) in the Solfeggio, they are even more powerful as these combinations serve as "portals" to other dimensions!

Just Intonation - 12 Tone Equal Temperament

As I observed earlier, another reason these Ancient Solfeggio frequencies became "lost" was because of the change in tuning practices throughout history. The standard tuning method for the past 200 years is quite different from the tuning practices dating from antiquity through about the 16th century A.D. These ancient tuning practices used a system of tuning known as Just Intonation. The tuning practice adopted for western cultures during the 16th, 17th, and 18th centuries, and used today, is known as Twelve-Tone Equal Temperament. The explanation of the fundamentals of these tuning systems is far too complex for this agenda, but the following quote from a book written by David B. Doty, titled The Just Intonation Primer, should give an idea of the confinement that music has been relegated to. "Essentially, music has been placed in a box of limitations"- as the result of the rigidity imposed by the Twelve-Tone Equal Temperament tuning standards in use today.

"Although it is difficult to describe the special qualities of Just (Intonation) intervals to those who have never heard them, words such as clarity, purity, smoothness, and stability come readily to mind. The supposedly consonant intervals and chords of (12-Tone) Equal Temperament, which deviate from simple rations to varying degrees, sound rough, restless, or muddy in comparison."

Just Intonation can be found in many of the great Fathers of Classical Music - Beethoven and Hyden, just to name a few. They did not use this 12-tone temperament and I think that is why we have a richer experience when we hear music that was composed several hundred years ago. Classical Music based on Just Intonation gives us a different rapport with time and space and brings us into our higher chakras.

Native American chanting is many times based on Just Intonation. The chanting seems to sound monotone, but we are finding out that within the monotone sound is multi-dimensional harmonics.

How these different types of tones affect our health

Consequently, since all music in our contemporary world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such as "boxed-in thinking," stuffed and suppressed emotions; and fear-based " lack" consciousness-all of which then tend to manifest into physical symptoms of "dis-ease."

This is in contrast to music created from the Ancient Solfeggio Scale, which stimulates the vibration of expanded creativity, easier problem solving and holistic health.

Again, it should be noted that although there are contemporary notes that approximate the Solfeggio tones, they are not the same frequencies as the ancient tones. Example: The Solfeggio tone, Mi. vibrates to 528 Hz. The closest, comparable, contemporary tone is C, above Middle C, which vibrates at 512 Hz. Our research indicates that the vibrational frequencies contained in the Solfeggio tones hold these original healing potentials.

1 - Professor Apel�s and Dr. Puleo�s remarks as reported in "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz. Pages 58-61
2- Hidden Entry Meanings from the book, "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz. Pgs. 166-67

Products based on the ancient Solfeggio scale...


Other Resources:


John Beaulieu, "Music and Sound in the Healing Artsicon." Station Hill Press, 1987


Giuliana Conforto, "Man�s Cosmic Game," Edizioni Nowsis, 1998


David B. Doty, "Just Intonation Primer"


Jonathan Goldman, "Healing Sounds: The Power of Harmonics," Element Books, 1992


Leonard Horowitz and Joseph Puleo, "Healing Codes for the Biological Apocalypseicon," Tetrahedron Publishing Group, 1999


Candice Pert, PhD, "Molecules of Emotion" (paperbackicon) (hardbackicon)


Michael Talbot, "The Holographic Universe"


Dr. Martin Rees, "Just Six Numbers: The Deep Forces That Shape the Universe"




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Music is known to endow the listener with aesthetic or intellectual pleasure. It can be simple, complex, subtle, overt - and these features may reside in one of the different aspects of the music e.g. rhythm, melody. Some of the greatness of music however, lies in its holistic nature that all the elements form a unique wholeness which may not be understood by studying the parts separately. However complex, music is readily appreciated by the mind without the need for formal knowledge.

Jayashri Ramnath

Healing Music

Since the beginning of recorded history, music has played a significant role in the healing of humankind. Music and healing were communal activities that were natural to everyone. In ancient Greece, Apollo was both the god of music and medicine. Ancient Greeks said, "Music is an art imbued with power to penetrate into the very depths of the soul." These beliefs were shared through their Doctrine of Ethos. In the mystery schools of Egypt and Greece, healing and sound were considered a highly developed sacred science.

Plato shared this profound belief, "Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety and life to everything. It is the essence of order, and leads to all that is good, just, and beautiful, of which it is the invisible, but nevertheless dazzling, passionate and eternal form." Deepak Chopra has beautifully written, "Where is music? You can find it at many levels in the vibrating strings, the trip of the hammers, the fingers striking the keys, the black marks on the paper, or the nerve impulses produced in the player brain. But all of these are just codes; the reality of music is the shimmering, beautiful, invisible form that haunts our memories without ever being present in the physical world."

Goldman & Gurin work on psycho-immunology revealed that nerve fibers are contained in every organ of the immune system, which provide biological communication between the nerve endings and the immune system. He postulates that there is a direct link between a person's thoughts, attitudes, perceptions, and emotions, and the health of the immune system. This being the case, we have the ability to be proactive in the health of our bodies and minds.

Music is a way to tap into the innate knowledge that resides deep in our cells. We live "in" music. Great music nourishes us in ways we don't even realize; it inspires us, relaxes us, energizes us--in short, it heals us and keeps us well. It resides everywhere in our world. While we may not always be listening to a Beethoven Symphony or a Mozart Sonata, the universe is a tonal harmony of many sounds interacting and vibrating together. Music is the pulse of the energy that courses in and through everything through vibrations. Don Campbell says that music can be delicate and quiet, but never sedentary. Even a tone that extends for hours at a time, unvarying, carries a pulsing wave that affects our mind and body at many levels. What we bring to each sound is also of vital importance. He goes on to say, "You, the listener, determine the final impact: You are an active conductor and participant in the process of orchestrating health."

Felix Mendelssohn once said, "Music cannot be expressed in words, not because it is vague but because it is more precise than words."

Amrita Cottrell

The Practical Application of Music as Electronic Medicine

Harmonic translation refers to the literal translation of biological information into harmonic shifts of sound. Biological information becomes coded into the shift from one musical note to another. The information is not contained in the notes themselves but in the relationship of one note to the next.

Acoustic information such as music can be experienced from the perspective of energy therapy or a type of medicine. Most of us are used to thinking of medicine as a substance. This could be an herb, a mineral a chemical or some biological material. Some of us are also use to thinking of energies as medicine as well. These energies could be in the form of light, sound, radio waves and so on. In the last few decades, with the advent of personal computers, have most of us been able for the first time to think of information as a thing all by itself. Without power and programming, we would have no information and the monitor you observe now would be worth nothing.

By the same token, Homeopathy can be thought of as a natural form of information used as medicine. In this technique, a solution containing a medicinal substance is diluted past the point of containing any of the original material substance in the solution. This solution is then used as medicine. The efficacy of homeopathic medicine has been demonstrated for over 150 years. In 2002 researchers discovered the mechanism whereby homeopathy works. It turns out that the information of the medicinal substance is transferred to the water molecules in the dilution process; it is this information carried by the water that causes the medicinal effect within the person. This is possible because water is a liquid crystal; it is a liquid wherein the individual molecules have an orderly relationship with one another and these molecules can change their shape to form an information signature simular to a hologram, an intricate, three dimensional copy. Research of this healing modality reveals a logic: If information can be transferred from the original substance to water to create a remedy through potentization, and the chemical composition of the human body is 90% water, then the body can also be imprinted with information in a simular manner, through consistant potentization; it would seem that the water in our bodies contains and processes vast amounts of biological information. This basic biological reality exploits the process of harmonic translation.

Once again, an analogy to computer technology is useful here. If you have a complex computer system that is malfunctioning, the problem is most often because information in the system has become corrupted (which happens all to often to my computer, let me tell you). This means that a critical piece of information has been lost, scrambled or somehow replaced with the wrong information. The system is fixed when the critical information is reinstalled in the system. Sometimes, because of damage done by the corrupted information, new remedial information or instructions must be added as well. Outside of true harmonic translation that would treat individual symptoms, we have music which functions as an important secondary remedy.

Music functions as a remedy when it provides harmonic information to counteract problematic "programming" by stressful situations in our society. Not being a mindless computer no matter how advanced, a human being is many orders of magnitude more complex. Human beings, like most life forms, are highly self repairing and fault tolerant. Our bodies are constantly trying to repair any damage and seeking to reestablish needed balance and function. The body is also intelligent enough to ignore or reject any information that is not needed or helpful (like heavy death metal concerts, not accounting for warped minds). Energy medicine of this nature can be effective, yet have no side effects. In the form of music, we have no side effects with all the benefits.

As to what we call music in everyday language, to me architecture is music, gardening is music, farming is music, painting is music, poetry is music. In all the occupations of life where beauty has been the inspiration, where the divine wine has been poured out, there is music. But among all the different arts, the art of music has been specially considered divine, because it is the exact miniature of the law working through the whole universe. For instance, if we study ourselves we shall find that the beats of the pulse and the heart, the inhaling and exhaling of the breath are all the work of rhythm. Life depends upon the rhythmic working of the whole mechanism of the body. Breath manifests as voice, as word, as sound; and the sound is continually audible, the sound without and the sound within ourselves. That is music; it shows that there is music both outside and within ourselves.

The Healing Power of Sound
by Constance Demby

Throughout the ages, sound and music, originally a highly developed science in the ancient mystery schools, have been used as vehicles for healing. This healing was based on concepts of life that recognized vibration as the fundamental creative force.

Sound and Light are the building blocks of the universe, the very framework upon which all of creation is hung. Every molecule of matter is intoning its tone. Every leaf, atom, particle, planet, galaxy, every cell in our body is humming it own tune. Even as we were being born, as our bodies were being formed a chord was being intoned, our own individual chord

From Sharing Health From the Heart Inc.

"Royal Raymond Rife, a researcher in San Diego in the early part of the 20th century, sucessfully eliminated cancer and other diseases using an electronic device he invented that emitted specific frequencies..."
http://www.altered-states.net/rifeport/portablefife.htm

Dr. Hulda Clark, Ph.D., N.D., and author of The Cure For All Cancers, "studied the work of Rife and learned that every living creature has a vibration..."
http://altered-states.net/barry/healing/zapper.htm

Music affects the physical body in profound ways. Sound waves enter into our physical body and move atoms around, rearranging our cellular structure and putting us back in order. Music - in its higher forms - has the power to lower blood pressure, alter the breathing rate, reorganize and harmonize molecular structure, elevate mood, take us beyond the everyday world to the spiritual world, transform consciousness and ultimately liberate our spirit.

"Without music, life would be a mistake." - Nietzsche


Some music will actually diss-arrange or de-range the embodiment, and there have been studies done by Dorothy Retallack on plants to prove this. Dorothy placed three groups of plants in glass enclosures, and played various types of music to the plants for a period of 30 days. The first group of plants were played acid rock music, and actually leaned away from the speakers in an attempt to get away from the sounds, becoming disheveled, with stunted growth. The second group of plants listened to Bach and similar music, and experienced better than normal growth. The third group was played devotional music, and leaned towards the speakers, twining around the speaker wires to get closer to the sound. They had the most luxurious growth and most organized coherent patterns of all. Dorothy's comment on the experiment, in regards to the first group of plants: "If this is what this music does to plants, what is it doing to our children?"

-From an energetic standpoint, the human body, when weakened or shifted from equilibrium, oscillates at a different and less harmonious frequency than when healthy. This abnormal frequency reflects a general state of cellular energetic imbalance within the physical body. When a weakened individual is unable to shift their energetic mode to the needed frequency a certain amount of subtle energetic help may be needed. When supplied with a dose of the needed energetic frequency, it allows the cellular bioenergetic systems to resonate in the proper vibrational mode, thereby throwing off the toxicities of the illness.
Richard Gerber, M.D. states in his book "Vibrational Medicine,":


experiment with sound and magnetic frequencies
http://altered-states.net/barry/rifeport/portablefife.htm

There is a report of doctors in the south of France who prescribe specific pieces of music to be listened to three times a day in place of medicine. There are reports of cows yielding more milk when played classical music in the barn. Higher consciousness music enhances life affirming decisions and results. Lower vibration music can direct the listener towards negative destructive thoughts and sometimes even suicide.

"A tone is a living cell... It is a microcosm reflecting faithfully the macrocosm, its laws, its center. A tone is a solar system." - Dane Rudyar

Music holds the key to remembering our origin and reconnecting with source. Our spirit, regardless of nationality, creed, time or space recognizes sound as the doorway to the infinite. Hence, music is the universal language.

"Sound is God" - Nada Brahma

The image on the right plots the frequencies against the relative magnitude of the sound of a didgeridoo. As you can see the strongest frequencies of a typical 'didge' are in the 50-200 Hertz range (the two big spikes on the left) with several harmonics going up to about 1000 Hertz. What is interesting is that the 'didge' also seems to produce near infra-sound as is indicated by the small spike near 0 Hertz, especially if you consider that our brain waves are in the 2-20 hertz range.
frequency analysis of a didge

Dis-ease, dis-harmony within the cells, is ultimately spiritual in nature. The separated self, feeling separate from Source, begins creating dis-ease-ment from this feeling of separateness. Certain kinds of music can help one remember that connection with Source, and the listener can only go as high, as deep and as wide as the composer went when receiving and composing the music.

"Through music, one can reach God." Ravi Shankar

HEALING MUSIC

Vibration is the basis of life. Every sound you ever made echoes still. Sound waves never entirely disappear. Every part of our body has its own frequency. Resonance occurs when frequencies come into synchronization. Different frequencies influence genes and cells. Form is created by underlying vibration. A solid is actually a wave, created and organized by pulse.

Sound energy can be used to heal when entities vibrating at different frequencies come into resonance with one another. Sound can trigger memories, release past memories, stimulate joy.

-The difference between physical matter and etheric matter is only a difference of frequency.

Because of their differing inherent frequencies, physical and etheric matter can coexist in the same space, just as radio and TV waves can pass through the same space without interference.

Dr. Gerber

Find your inner hum in the center of your being and let it resonate through your body. Music mimics nature, the cells, the organs the internal workings of the body. Ideas are sound when they ring true. We each have a unique tone. Our body needs attunement. Our wounds must be opened to release.

Genesis tells us that God began the process of creation by speaking. He said, "Let there be light," and the universe began

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Is sound so powerful? Well, sound does more than ripple through our eardrums. We know it can be a dramatic destructive force-the high-pitched note that shatters a wineglass, the sonic boom that cracks plaster, the gunshot that sets off an avalanche.


Scientists are now researching sound's impact on the brain. Certain kinds of classical music, like Bach, Mozart and Beethoven, have a range of positive effects, including temporarily raising IQ, expanding memory and speeding learning. Some alternative medical practitioners are experimenting with using specific tones to heal the organs. Other researchers are looking at the effects of some of the sounds that originate in the human voice box-prayer and chanting

For centuries, mystics have been telling us that sound actually creates matter (A mystic is someone who seeks direct contact or union with God.) The mystics believe the world is a reflection of infinite combinations of sound patterns. They say that all things-from the biggest star to the smallest flower and even you and I-are coagulations of sound waves.

Dr. Mitchell L. Gaynor is Director of Medical Oncology and Integrative Medicine at the Strang-Cornell Cancer Prevention Center, which is affiliated with New York Hospital. Since 1991, he has used sound as a complementary therapy, treating patients with crystal singing bowls, chanting, and music. Gaynor presents solid evidence of the medicinal capacities of sound across cultures and wisdom traditions. Examples include the vocalizations of shamans, the songlines of Australian aborigines, Hindu oceans of vibrations, the Kabbalistic belief that the universe reverberates with heavenly song, and the Sufi practice of sound as "food for the soul."


This may be difficult to understand, let alone believe. But science has provided some corroboration for the mystics' assertion. On a cosmic scale, there may be evidence that sound has left its imprint on the galaxies. Some scientists argue that the galaxies are not arranged at random but in a regular pattern of clusters. Now researchers are suggesting that it was primordial sound waves that helped create this pattern of clusters.

On a smaller scale, Hans Jenny, a Swiss scientist, passed sound waves through various kinds of malleable matter, such as paste and sand. When we look at the patterns created by these waves, we can begin to imagine how creation by sound might occur.

The following video clips demonstrate how sound has the ability to create and animate three-dimensional shapes.


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How can sound and music be used for healing?

In order to understand this question, we must go back to understanding the basic principle of how sound can be used for healing. To do this, we must become aware of three things:

1. That everything in the universe is in a state of vibration. Everything is in motion and produces a sound or frequency. This includes the various parts of our body, organs, bones, tissue, etc.

2. When we are in a state of "sound" health, everything in our bodies is vibrating in resonance or harmony with itself. When something is vibrating out of harmony, we call this "disease."

3. Sound is an energy that can entrain or change the vibrational rate of objects. Therefore, if something is vibrating out of tune or harmony, it is possible to create the correct, natural "resonant" frequency of the out of tune object, project it to that out of tune portion and cause it to vibrate back to its normal, healthy state.

I like to use the metaphor of the body being this wonderful orchestra that, when in a state of health, is playing this "Suite of the Self", creating an overall harmonic of health. But what happens if the 2nd violin player looses their sheet music? They begin to play out of tune, out of rhythm, out of harmony. Pretty soon the entire string section sounds off. Pretty soon the whole orchestra sounds funky. This is what happens when imbalances or disease sets in. But what if it were possible to restore the sheet music back to this violin player? What if it were possible to project the correct resonant frequency back into the part of the body body and cause it vibrate back into health. This is the basic principle of using sound and music to heal - This is also the basic premise of Harmonic Translation.

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